This portfolio with a small selection of watercolours, which Adolf Hitler painted in the course of his military service during World War I, was edited about 1935 by his official photographer Heinrich Hoffmann. It is assumed that Hitler was involved in the editing process. Even so, shortly after the appearance he withdrew and stopped the delivery. The seven collotype reproductions mainly show architectural motifs in Flanders. He apparently had a preference for romantic ruins and deserted sites. In his technique Hitler tried to follow the example of his favourite artist, the famous Viennese veduta painter Rudolf Ritter von Alt.The period of World War I marked a last heyday of the long tradition of graphic reporting and the art of watercolour, with artists like François Flameng, John Singer Sargent and the late Theodor Rocholl as their most excellent purveyors.
From Alsace to Lorraine / The research / The book In 2010, three graphic grimoires from rural Lorraine popped up at a Strasbourg bookseller’s, whose peculiarity and intensity were astounding. A Richard from Kédange, today Kédange-sur-Canner, a town not far from the border with Saarland and about 30 km north of the capital of Lorraine, […]
Many of Louis Sabattier´s soft focussed photo-paintings for the French magazine L Illustration conveyed a ambiguous cultural – critical content. Especially his popular scenes of colonial tourism could easily be read as a subversive comment on the Eurocentric perspective of the oriental painting tradition of his teachers Jean-Léon Gérôme and Gustave Boulanger. Exoticism and alienness, […]
Not translated: 5) Die dritten Männer In Dorés Illustrationswerk wurde die gnostische Befindlichkeit der Entfremdung und Dislokalität erstmals als eine grundlegende Erfahrung des urbanen Lebens ins Bild gesetzt. Und die grafischen Mittel, die er dabei zum Einsatz brachte, waren ungleich komplexer und subtiler als die der Künstler des Expressionismus und Futurismus, die ihm in dieser […]